Julian of Norwich, Her Showings and Its Contexts, Website © Julia Bolton Holloway, 1997

JAN VAN RUUSBROEC

THE SPARKLING STONE

Hans Memling, 'St John Writing Revelation', St John's Hospital, Bruges

Reproduced by permission of Memlingmuseum, Stadelijke Musea Brugge, Belgium


Immediately after Julian of Norwich's Showings in the British Library Amherst Manuscript, 'Explicit.Juliane de Norwych' follows a treatise by Jan van Ruusbroec, generally called De Calculo or Sparkling Stone, but in this manuscript titled 'Treatise of Perfection of the Sons of God'. The text that follows replicates the manuscript's folios, layout, capitals (which are blue with red penwork ornamentation, as here, but which drop, taking up two or three lines, impossible to do on the Internet) and rubrication, but cannot give the contractions, thorns, yochs and long tailed s's. These are transcribed into a hard copy booklet which may be ordered from juliana@tin.it

[A115v]

[A116]

[A116v]

[A117]

[A117v]

[A118]

[A118v]

[A119]

[A119v]

[A120]

[A120v]

[A121]

[A121v]

[A122]

[A122v]

[A123]

[A123v ]

[A124]

[A124v]

[A125]

[A125v]

[A126]

[A226v]

[A127]

[A127v]

[A128]


For Jan van Ruusbroec, see also the Julian Library Portfolio booklet, God Friends: The Continental Medieval Mystics. The Amherst Manuscript gives certain passages in red, and its capitals are blue with red penwork. The scribe wrote it in a fine clear Anglicana script, circa 1435-1450 in a Grantham, Lincolnshire dialect, including among these texts translations made by the Lincolnshire Carmelite Richard Misyn, for an anchoress, Margaret Heslyngton. It is possible that he is the scribe. Later, a Sheen contemplative, James Grenehalgh, heavily annotated the manuscript, usually doing so for a Syon nun, Johanna Sewell. The text, transcribed here folio by folio and line by line from the manuscript, is side by side there with the Short Text of Julian of Norwich's Showings, and, along with Henry Suso, Horologium Sapientiae, and Marguerite Porete, Mirror of Simple Souls, which are also present in the Amherst Manuscript, may represent Julian's own library, perhaps given her, even translated for her, by Cardinal Adam Easton, Benedictine of Norwich, who defended similar writings by St Birgitta of Sweden and presided over her canonization, and who is known to have written now-lost contemplative treatises and translations in the vernacular. The illustration is by Hans Memling in the Hospital of St John, Bruges, where, for centuries, John writes the Apocalypse amidst the landscape of his vision. Ruusbroec bases the Sparkling Stone, like Julian her Showings, upon the Apocalypse, the Book of Revelation, or Showings, and upon the writings of Pseudo-Dionysius.


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The Julian Library Portfolio, 1996.
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This site last updated 3 November 1998.