The Players:
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Story | The Review
Jodie Foster (Dr. Eleanor "Ellie" Arroway); Matthew McConaughey
(Palmer Joss); James Woods (Michael Kitz); John Hurt (S.R.
Hadden); Tom Skeritt (David Drumlin); William Fichtner (Kent
Clark); David Morse (Ted Arroway); Angela Bassett (Rachel
Constantine); Rob Lowe (Richard Rank) etc.
Quotes Worth Pondering:
"For as long as I can remember, I've been searching for some reason
why we're here - what are we doing here, who are we? If this is a chance
to find out even just a little part of that answer, I think it's worth
a human life, don't you?" - Dr Ellie Arroway.
"I'm not against technology, doctor. I'm against the men who deify
it at the expense of human truth." - Palmer to Ellie
"I don't know, Sparks. But I guess I'd say if it is just us... seems
like an awful waste of space." - Ted to daughter Ellie, when she asks
if there's people on other planets?
Behind The
Scenes:
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| Behind The Scenes | The Story | The
Review
This story is based on the bestseller book by Pulitzer Prize-winning
author and noted astronomer Dr Carl Sagan. The film was shot in Arizona,
Washington D.C and NASA’s Cape Caveral in Florida, besides Arecibo, Puerto
Rico where the largest radio telescope exists and photography in Fiji and
Newfoundland. The Very Large Array or VLA site, a field of 27 linked dish-shaped
radio telescopes located in the desert of Socoro, New Mexico was also used.
Many of the locations were recreated on soundstages in Los Angeles. Dr
Sagan who is the executive co-producer served as a consultant until his
death last year. His wife Ann Druyan also served as executive co-producer.
Contact is directed by Academy Award-winner Robert Zemeckis whose
credits include Back To The Future, Who Framed Roger Rabbit, Forest
Gump, Death Becomes Her among others.
The Story:
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| The Story | The Review
Ellie Arroway (Jodie Foster) has been looking for answers all of
her life. As a young girl, she would leave her bed at night to sit at her
short-wave radio, seeking response from the galaxy. Following the death
of her only parent, father Ted, Ellie devoted herself to astronomy. In
college, she chose the search for intelligent extraterrestrial messages
as her discipline. Her ambition propelled her to the top of her class and
ignited a promising career. Ellie maintained an unswerving conviction that
there is something more in the universe. Then, one morning in the desert,
from the distant star Vega, a radio message comes to Earth and Ellie receives
it. As the countries of the world unite in an effort to decode the transmission
recorded, the planet faces the message with equal parts hope and fear,
for contained within it are blueprints for a machine of intergalactic travel
capable of transporting its passenger to deep space. It could mean the
dawning of an astounding new era , or certain doom. Amid the worldwide
tumult, Ellie becomes a lightning rod of controversy. Fighting for her
rightful place as leader of the scientific investigation, she turns to
her one potential ally among those wielding influence on the world stage:
Palmer Joss (Matthew McConaughey), a religious scholar and government
advisor. Years earlier, Ellie and Palmer had shared a relationship that
ended. Now, estranged by their divergent beliefs, but brought together
by their joint passion for understanding the message, the scientist and
the spiritual leader find themselves struggling with their renewed mutual
attraction. As the world wrestles with the questions raised by the message,
Ellie together with other world renowned experts vie to be selected as
the single representative who will leave the Earth to explore the galaxies,
seeking the unknown extraterrestrial source ( and becoming the first person
to make contact.
The Review:
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| The Story | The Review
This movie certainly boasts big names : Angela Basset, John Hurt, James
Woods, Tom Skerritt and Rob Lowe besides the leads. Good quality too, especially
photography and effects of the galaxy, and the spaceship launch pod. The
plot is something new and raises the question of science, religion and
humanity. There are a lot of technical details, moral values and many varied
‘expertise’ built here. The only thing missing are X-perts, Scully and
Mulder, to add to this science-fiasco-meets-Disney fantasy. However the
story is quite slow-going with the romance of Palmer and Arroway. Her relating
everything back to her father or her childhood, is kinda’ like in The
Silence Of The Lambs. Jodie Foster, whose poignant work in The Accused
and riveting performance in The Silence of the Lambs earned her
two Best Actress Academy Awards, plays well the headstrong visionary astronomer
who eats, sleeps and dreams her work. Not that she cares, but some call
it dedication. Others call it obsession. Although she seems strong sensed
in her work, she come across as rather weak when she can’t stand up to
her former mentor Drumlin, who takes the glory for her work. This is pretty
believable as, sometimes in life, people are very strong in one aspect
but surprisingly weak in the most obvious. Her strong yet scared, smart
yet gullible character reminds me so much of Clarice Starling in Silence
Of The Lambs. Arroway’s relationship with Palmer is beautiful, both
of very different yet noble opinions. He learns about the commitment and
belief for scientific truth from her while she learns about believing in
faith, which unlike science, can’t always be proven. Angela Bassett gives
a commendable performance as the tough cookie Rachel, a high-level advisor
to the President of USA. Quite different from the sobbing cry baby Bernadine
Harris she played in Waiting To Exhale. Tom Skerritt’s Drumlin is
the oh-so familiar manipulative, selfish, back-stabbing opportunist that
most of us have come across, or are.
Contact is also breathtaking in terms of the spectacular visuals
projecting the grandeur of the galaxy; magnetic whirlpool zone of time
travel; the dreamlike picturesque beach and the space launch pod. Pretty
impressive work from Zemickis who has been known to give special effects
science fiction movies that touch on humanity like Death Becomes Her.
If you look beyond the techno mumbo-jumbo, Contact brings up a lot
of moral issues pertaining to science and religion. Those who like to reassess
their values might like the controversy but the close-minded wouldn’t need
to do themselves the favour. However, Contact raises a lot of questions
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